WRITING

PROSE

“Displacement,” The Iowa Review (print, forthcoming)

Pink Noise,” Electric Literature‘s The Commuter (October, 2021)

How to House the Wanting,” (print) + accompanying Space Explorations piece on my writing process, Hayden’s Ferry Review Issue 67, selected for Best Small Fictions 2022 (March, 2021)

Professional Makeup,” Cincinnati Review, nominated for Best of the Net (September, 2020)

“A(utonomous) S(ensory) M(eridian) R(esponse),” CHEAP POP, selected for The Wigleaf Top 50 Very Short Fictions 2021 (September, 2020)

Prescription,” + a bonus postcard, Wigleaf, postcard winner of the monthly Mythic Picnic Prize (March, 2020)

Another Animal,” PRISM international, shortlisted for the Grouse Grind Lit Prize for V. Short Forms (September, 2019)

“First Down” & “Lifers” (print), Elm Leaves Journal (May, 2019)

What We Will Be Expecting,” New South (March, 2019)

After the Beauties,” Day One (March, 2016)

“The Envoy” (print), Southeast Review Vol. 32.1, finalist for the World’s Best Short-Short Story Contest, judged by Robert Olen Butler (January, 2014)

Fugue State,” Conjunctions (October, 2013)

An Open Letter to My Dying Ficus,” McSweeney’s Internet Tendency (March, 2011)

POETRY

In a Way We Were Always Here on the Moon,” Underwater New York (December, 2018)

Glass City vs. Bottle Beach,” Underwater New York (May, 2015)

READINGS & PERFORMANCES

Hayden’s Ferry Review Issue 67 Launch Reading, virtual (October, 2020)

Created a sound recording of my poem “Glass City vs. Bottle Beach,” which was included in a documentary produced by Underwater New York for the annual Municipal Arts Society Summit for New York City, and screened at The Morgan Library & Museum, NYC (October, 2017)

Underwater New York Reading at UrbanGlass, to close the exhibition Dead Horse Bay: The Glass Graveyard of Brooklyn, NYC (March, 2017)

Columbia Faculty Selects Reading Series at KGB Bar, NYC (February, 2012)